What goes with this color?

159 colors · 348 combinations · Tokyo, 1933

Photograph a garment, a wall or a lipstick. Assorti finds its shade among the 159 colors named by the painter Sanzo Wada, and shows you the combinations he composed.

Laid out like a photographer’s target: skin, sky, foliage, flower… found in Wada’s colors, then his six neutrals, from white to black.

The viewfinder

Your phone sees colors through the light in the room. The viewfinder corrects that cast, then names the shade.

  1. Jean jacket photographed under warm light: its blue drifts toward a grey-green.

    1Photograph

    Aim at the object in daylight, or pick a photo. Nothing leaves your device.

    Without calibration, the viewfinder would read Andover Green.

  2. A white sheet laid on the sleeve, yellowed by the same light.

    2Calibrate

    Tap a white sheet of paper in the same light: the viewfinder reads the cast and removes it.

    The sheet, yellowed by the bulb, gives the cast to remove.

  3. The same photo corrected from the sheet: the sheet is white again and the jacket blue.

    3Read

    The reticle reads the shade, matches it to the 159 colors and opens their combinations.

    After correction: Salvia Blue, approximate (ΔE 8.1).

Open the viewfinder

Simulated on a copyright-free photo (Wikimedia Commons, CC0): the warm light and the correction are computed with the viewfinder’s formulas.

All 159 colors

In six families, in the order Wada printed them.

Intensity, seasons, rainbow: every filter in the chart

Yellows, oranges and browns · 49

Sanzo Wada, 1883–1967

Born in 1883 in Ikuno, Japan, Sanzo Wada studied painting in Tokyo under Kuroda Seiki, then spent eight years in Europe, mostly in France (1907–1915), studying painting and the decorative arts.

A professor of design at the Tokyo School of Fine Arts, he published the six volumes of 配色総鑑 (Haishoku Sōkan) in 1933–1934: more than a thousand color combinations. The 348 on this site are its best-known selection.

In 1945 he reorganized the Japan Standard Color Association into the Japan Color Research Institute and became its chairman. His costumes for Gate of Hell (1953) won him the Academy Award for costume design.

Sources and credits